Los Angeles rapper Regan John Farquhar, known by most as Busdriver, provides an unusual take on hip-hop music with his 9th solo album, Beaus$Eros (pronounced Bows and Arrows). Straying from traditional hip-hop, he drives this album with eccentricity and experimentation, producing what may best be described as a “unique experience”. Weird seems to work well for Farquhar, who is definitely no stranger to the music business. Beaus$Eros is a bit of a slower ride than previous Busdriver albums, but the journey is no less exciting. With as much singing as there is rapping, Farquhar communicates his message atop an 80’s pop, synth heavy production, with the help and influences of Belgian producer, Loden.
In 14 captivating tracks, Busdriver is effectively revolutionizing hip-hop music, challenging preconceived notions of what hip-hop is supposed to sound like. To compare or relate this album to any other would be an injustice, as it distinctly represents a category all its own: some form of genius. Lyrically, Farquhar’s use of irony and erratic imagery is fluently gripping from track to track. Beaus$Eros is perhaps Busdriver’s most musical album, with songs like “Kiss Me Back to Life” and “Utilitarian Uses of Love” being entirely sung. He skillfully combines his retro synths and electro beats with the wordplay that made him famous in the first place.
Farquhar, without doubt, exhibits his most accomplished work to date with this album. Its uniqueness and unusual nature may call for some slight criticism, but there is no denying the brilliance and intention behind it. It may not be for everyone, but the creative genius of this album is to be commended and appreciated, as Farquhar successfully drives hip-hop to new limits.
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